Wednesday, November 17, 2010

Shakespeare & The Elizabethan Theatre: Group 2

                      William Shakespeare

William Shakespeare was born on April, 23rd 1564 in Stratford-in-Avon, northwest of London. This date is based on record of his baptism on April 26th.

Shakespeare's father John was a successful glove marker and a businessman who held a number of positions in the town government. His mother whose maiden name was Mary Arden, was the daughter of his father's landlord.

There is no written evidence of Shakespeare's boyhood, not even a name on a school attendance list. However, given his father's statue, it is highly probable that he attended the Stratford Grammar School, where he acquired knowledge of Latin.

In November, the year 1582 William Shakespeare received a license to marry. At this time Anne would have been 26 and William 18. A considerable age difference to William Shakespeare, whom at the time was still under the age of consent (21). It is apparent that Anne Hathaway became pregnant prior to marriage which would have no doubt caused a scandal for both of the families. Some writers have made much of the fact that Shakespeare left his wife and children behind and he went into London not long after his twins were born. However, he visited his family in Stratford regularly during his years as a playwright, and they may have lived with him for a long time in London.

Shakespeare became connected with the theatre in the late 1580's and earlyn1590's. By 1594, however, he had become a part owner and the principal playwright of the Lord Chamberlain's Men, one of the most successful theatre companies in London.
In 1599, the company built the famous Globe theatre on the South bank of the Thame River, in Southwark. This is where most of Shakespeare plays were performed.

William Shakespeare did not think to himself that he was a man of letters. He wrote his plays to be performed and did not bring out editions of them for the reading public. The first published edition of his work, called The First Folio, was issued in 1623 by two members of his theatre company, John Heminges and Henery Condell, and contained thirty-six of the thirty-seven plays now attributed to him.

In about 1610, William Shakespeare retired to Standfort, though he continued to write plays. April 23rd 1616 he died and was buried in Holy Trinity Church in Stratford because it was a common practice to move bodies after burial to make room for others.

Timeline of Praise
No other English writer has won such universal and enthusiastic praise from critic and fellow praise from critics and fellow writers. Here are sample of that praise, shown on a timeline from Shakespeare's day to our won:
·         Ben Jonson (1572-1667) “He was not of an age, but for all time!"
·         A.C.Bradley (1851-1935) "Where his power or art is fully exerted, it really does resemble that of nature."
·         T.S.Eliot (1888-1965) "About any one so great as Shakespeare it is probable that we can never be right............."


                Elizabethan Theatre

Prior to the reign of Elizabeth I, theatre companies made a living by travelling around the country looking for large audiences to perform. When Queen Elizabeth came to power and throughout her reign, she fostered the rise and formalization of English drama. It was during her era that drama began to be recognized as a complex art form to be appreciated, loved and critiqued by the masses. Queen Elizabeth’s own interest in drama led to this increasing interest.
           
When Shakespeare was twelve years old, an actor named James Burbage built London’s first theatre, called simply ‘The Theatre’, just beyond the city walls in Shoreditch. Actors- even prominent and well-to-do actors like Burbage- occupied a strange place in London society; they were frowned upon by the city fathers but were wildly popular with the common people.

            In 1597, the city fathers closed down ‘The Theatre’. In late 1598, Richard Burbage (James’s son) and his men dismantled it and hauled it in pieces across the Thames to Southwark. It took them six months to rebuild it, and when they did they renamed it the ‘Globe’.
            Critics dispute the exact shape and structure of this building however many believe it was round and octagonal. Shakespeare makes reference to the building in Henry V calling it “this wooden O”. It is believed that the design and structure of this building was derived from the beat-baiting and bull-baiting rings built in Southwark.
            The building could seat in excess of 2500; but actors had to project their voices to be heard.          Back then, there was no technology which is utilized in the theatre today.  Sound effects, special lighting, scenery and all the modern amenities now used to enhance productions were entirely absent. The actors were forced to use their own abilities to compensate for the lack of technology.
            In 1613 a cannon was fired as a part of a performance of Henry VIII set the theatre’s thatched roof on fire and destroyed it. The patrons escaped unharmed, but the Globe was completely destroyed.

           
Building a replica of Shakespeare’s Globe was American actor Sam Wanamaker’s dream. After long years of fund-raising construction, the theatre opened its doors full season on June 8, 1997.
            Like the earlier Globe, this one was also made of wood, with a thatched rood and lime plaster covering the walls.

            During the late 16th century, Elizabethan drama became fully- developed. Playwrights turned away from basing their plays on the religious aspects of society and began writing more sophisticated plays. Drawing on models from ancient Greece and Rome, writers introduced tragedies- plays in which disaster befalls the hero/heroine. Dramatists also began writing their plays in carefully construed of unrhymed verse, using fanciful language and making the words play a vivid image in the viewers minds.

Wednesday, November 10, 2010

William Shakespeare

William Shakespeare Biography
 
 William Shakespeare was the son of John Shakespeare, a successful glover and alderman originally from Snitterfield, and Mary Arden, the daughter of an affluent landowning farmer.He was born in Stratford-upon-Avon and baptized there on 26 April 1564. His actual birth-date remains unknown, but is traditionally observed on 23 April, St George's Day. This date, which can be traced back to an 18th-century scholar's mistake, has proved appealing to biographers, since Shakespeare died 23 April 1616. He was the third child of eight and the eldest surviving son.
Although no attendance records for the period survive, most biographers agree that Shakespeare probably was educated at the King's New School in Stratford, a free school chartered in 1553 about a quarter-mile from his home. Grammar schools varied in quality during the Elizabethan era, but the curriculum was dictated by law throughout England, and the school would have provided an intensive education in Latin grammar and the classics.

At the age of 18, Shakespeare married the 26-year-old Anne Hathaway. The consistory court of the Diocese of Worcester issued a marriage license 27 November 1582. The next day two of Hathaway's neighbours posted bonds guaranteeing that no lawful claims impeded the marriage. The ceremony may have been arranged in some haste, since the Worcester chancellor allowed the marriage banns to be read once instead of the usual three times, and six months after the marriage Anne gave birth to a daughter, Susanna, baptized 26 May 1583.Twins, son Hamnet and daughter Judith, followed almost two years later and were baptized 2nd February 1585.Hamnet died of unknown causes at the age of 11 and was buried 11 August 1596.
After the birth of the twins, Shakespeare left few historical traces until he is mentioned as part of the London theater scene in 1592, and scholars refer to the years between 1585 and 1592 as Shakespeare's "lost years".Shakespeare died on 23 April 1616.






William Shakespeare Plays

History themed Plays

  • King Henry IV Part 1 
  • King Henry IV Part 2 
  • King Henry V 
  • King Henry VI Part 1 
  • King Henry VI Part 2 
  • King Henry VI Part 3 
  • King Henry VIII 
  • King John 
  • Richard II 
  • Richard III 

 Comedy themed Plays

  • Alls Well That Ends Well
  • As You Like It 
  • Comedy of Errors 
  • Cymbeline 
  • Love's Labour's Lost
  • Measure for Measure 
  • Merchant of Venice 
  • Merry Wives of Windsor
  • Midsummer Nights Dream
  • Much Ado About Nothing
  • Pericles, Prince of Tyre
  • Taming of the Shrew 
  • The Tempest 
  • Troilus and Cressida
  • Twelfth Night 
  • Two Gentlemen of Verona 
  • Winter's Tale
Tragedy themed Plays
  • Antony and Cleopatra 
  • Coriolanus
  • Hamlet
  • Julius Caesar
  • King Lear 
  • Macbeth 
  • Othello 
  • Romeo and Juliet 
  • Timon of Athens 
  • Titus Andronicus  

Not until after his death was Shakespeare considered the greatest playwright and poet in the history of the English language. With dramatic works such as Romeo and Juliet and King Lear, it is no surprise that his texts have been translated worldwide. But, Shakespeare’s greatness might stem from his ability to cross genres and produce works in comedy such as A Mid-Summer Night’s Dream, history such as in Hamlet, and romance (or fantasy-like), such as in The Tempest. Some of his works also include those labeled problem-plays or tragi-comedies due to the difficulty of labeling them under one strict genre.


Elizabethan era

The Elizabethan era was a time associated with Queen Elizabeth I's reign (1558–1603) and is often considered to be the golden age in English history. It was the height of the English Renaissance and saw the flowering of English poetry, music and literature.

   The Elizabethan theatre was erect a playhouse outside the jurisdiction of the Lord Mayor, where the player would no longer be hindered by the authorities. Eventuallly, the theatre was built in 1576 at Shoreditch. Fortunately, the experiment was successful. Also, the Elizabethan playerswere accustomed to act on a variety of stages. 




Wednesday, November 3, 2010

                                                                                                                          Union Road
                                                                                                                          St.John's
                                                                                                                          Antigua
                                                                                                                          3rd November.2010



The Editor
The Daily Observer
Coolidge
St. John's
Antigua


Dear Editor,
                   I write out of sheer concern and horror by the residents of the village Orange Lane. In fact, I am compelled to write in an effort to voice my disappointment and ashamed of the way in which the society treats Rastafarian.
                 The crime that led to Brother man's beating by the citizens of Orange Lane was because of a rape of a young woman and the murder of a young man. It was reported that a young man and woman were both attacked and rubbed and the young man was killed and the young woman was raped and left by the sea side for dead. After reports were made, the attacker was described as being an unkempt rastafarian male. Residents of Orange Lane were full of fury and started to hate all rasta men because of this .
                 I refuse to remain a quiet bystander on this issue having witness this crime of the severe beaten of Brother Man. I watched as the a young of boy villagers involved in this attack shoutted "Down de old Ras Tafarite, murderers dem" and a young girl rolled in the dust laughing. As more villagers joined in the streets they shouted more more obscenities as he walked down the lane.  "Run man wi'dout beard, beard man after you" as Brother Man raised his arm to try to talk to the people a angry lady threw a brick aiming directly for Brother Man's head. Blood rushed from the wound on his head, I could tell that he was weak by the way he was staggering. One old lady also witnessed this attack and she ran and screamed shielding my neighbor with her body ,due to her efforts they also attacked her tearing her clothes and threw her roughly aside, kicked in her ribs and trampled her until she layed bleeding in the gutter.
                  On witnessing this crime against my fellow man i was disgusted and greatly sadden by what i saw. what if they killed him for a crime he didn't commit? would there be justice for him? Didn't think of all he had done for them? Didn't it cross their minds that he couldn't have such things?
                   I view Rastafarism as a way of life which someone has the right and free will to live how they choose without being judge of persecuted for their religion.I am reminding the people of Orange Lane, it is simply wrong treat people terribly because of their beliefs.I think that the people of Orange Lane should pay for their actions.
                     In conclusion, I can only hope and pray that this recent case of extreme cruelty to Brother Man and encourage our law enforcement officers to work to make sure justice is served. 

                                                                                                                       Irritate Citizen  
1.) Cordelia(internal conflict) she turns crazy because Brother Man couldn't heal her son and he was getting worst everyday.
Jasmina(internal conflict)she had her sister Cordelia on her mind when she and shine went on a date and she was there physically but not mentally  .
Girlie & Papacita (external conflict) they were always arguing  about papacita infidelity and his  womanizing ways .

Papacita (internal conflict) was planning to leave girlie for Minnette and he was also planning on killing her in one of there many fights.  
Brother man (external conflict) dealt with the betrayal of the people in the lane and how they verbally and physically attacked him.  .

Nathaniel (internal conflict) dealt with his wife infidelity and having a baby with another man when he was in jail and he couldn't over it because it bothered alot. 
Minnette (internal conflict) lives with Brother Man a desperately wants him to love her the way that she loved him and  she constantly throws her self at him and he is always on her mind.



2.)Internal conflict: in literature and drama, a struggle which takes place in the protagonist's mind and through which the character reaches a new understanding or dynamic change.

External conflict: in literature, a struggle between the protagonist and another character against nature or some outside force

3.) Three(3) types of Irony:

Situational Irony:occurs in literature and in drama when persons and events come together in improbable situations, creating a tension between expected and real results.

Verbal irony: is the use of words to convey something other than, and especially the opposite of the literal meaning of the words, to emphasize, aggrandize, or make light or a circumstance or subject. 

Dramatic irony: is the device of giving the spectator an item of information that at least one of the characters in the narrative is unaware of (at least consciously), thus placing the spectator a step ahead of at least one of the characters.


4.) Its was ironic how in the beginning of the book Brother Man was worshiped he by everyone in the lane and later in the book they were attacking him verbally and physically.

Thursday, September 30, 2010

Brother Man

1.) A brief biography about Roger Mais.

Roger Mais was a Jamaican journalist, novelist, poet, and playwright. He was born to a middle-class family in Kingston, Jamaica. By 1951, Mais had won ten first prizes in West Indian literary competitions.Educated at Calabar High School and first employed in the Civil Service. His integral role in the development of political and cultural nationalism is evidenced in his being awarded the high honor of the Order of Jamaica in 1978. Mais launched his career as a journalist and contributor for the weekly newspaper, Public Opinion from 1939 to 1952, which was associated with the People's National Party. He also wrote several plays, reviews, and short stories for the newspaper Focus and the Jamaica Daily Gleaner, focusing his articles on social injustice and inequality. He used this approach to reach his local audience and to primarily push for a national identity and anti-colonialism. Mais has published over a hundred short stories, where most can be found in Public Opinion and Focus. Other stories are also collected in Face and Other Stories and And Most of All Man, published in the 1940’s. Mais's play, George William Gordon, was also published in the 1940s, focusing on the Morant Bay Rebellion of 1865.   

2.) What does critics say about Brother Man?
It was said by John Power,the book is extremely siginificant as it is the first serious representation of Rastafarianism in literature , and Roger Mais foresaw the defining power of the Rasta movement to Jamaican society 20 years before the era of Bob Marley and Reggae mainstream. It is also significant as an exploration of life in the Jamaican Ghetto, and how the people relate to their leaders , making them deities and throwing them away when they fail to entertain them.The novel is written in prose with a layout that is seemingly cinematic and episodic , little is done to describe the environment beyond the claustrophobic ghetto of ' The Lane' . 


3.)  Explore the religious aspect in regards to Rastafarianism.

The Rastafari movement (also known as Rastafari, or simply Rasta) is a new religious movement that accepts Haile Selassie I, the former Emperor of Ethiopia, as God incarnate, called Jah or Jah Rastafari.He is also seen as part of the Holy Trinity as the messiah promised in the Bible to return. The name Rastafari comes from Ras (literally "Head," an Ethiopian title equivalent to Duke), and Tafari Makonnen, the pre-coronation name of Haile Selassie I.The movement emerged in Jamaica among working-class and peasant black people in the early 1930s,arising from an interpretation of Biblical prophecy partly based on Selassie's status as the only African monarch of a fully independent state, with the titles King of Kings and Conquering Lion of Judah (Revelation 5:5). Other characteristics of Rastafari include the spiritual use of cannabis,and various Afrocentric social and political aspirations,such as the teachings of Jamaican publicist, organiser, and black separatist Marcus Garvey (also often regarded as a prophet), whose political and cultural vision helped inspire a new world view.The Rastafari movement has spread throughout much of the world, largely through interest generated by reggae music-most notably, that of Jamaican singer/songwriter Bob Marley. By 2000, there were more than one million Rastafari faithful worldwide. About five to ten percent of Jamaicans identify themselves as Rastafari. Many Rastafarians follow an ital diet which essentially means living by the dietary Laws of Leviticus and Deuteronomy in the Old Testament.
 

Wednesday, September 22, 2010

Glossary Of Literary Terms

Novels: a long work of prose fiction especially one that is relatively realistic.

Novella: a work of prose fiction longer than a short story but shorter than a novel ( about 40-80 pages).

Short story: a fictional narrative usually a prose rarely, longer than 30 pages and often much briefer.

Narrative Techniques: The style of telling the story.

Point of view: the method of narrating a short story, novel, narrative poem, or work of non-fiction.


Characterization: the presentation of a character whether by direct description, by showing the character in action,or by the presentation of other characters to help to define each other.


Theme: what the work is about; the underlying idea of the work, a conception of human experience suggested by the concrete details. 


Setting:  the time and place of a story, play or poem.


Plot: the episodes in a narrative or dramatic work: that is what happens.


Style: the manner of expression evident, not only in the choice of certain words, but also in the choice certain kinds of sentence structure, characters, setting and themes.


Irony: the contrast between what is said and what is meant.


Imagery: words and phrases that create vivid, sensory experience for the reader. 


Symbols: is a person, place, object or activity that stands for something beyond itself.


Satire: literary technique in which ideas, customs, behavior or institutions are ridicule for the purpose of improving society.


Allusion: reference to a historical or fictional person, place or event with which is assume to be familiar.


Stream of consciousness: the style of fiction that takes as its subject the flow of thought, responses and sensations of one or more characters.


Interior Monologue: a passage of writing presenting a character's inner thoughts and emotions in a direct, sometimes disjointed and fragmentary manner.


Flashback: an account of conservation, an episode or event that happened before the beginning of the story.

Foreshadowing: a writers use of hints or clues that suggest what events will occur in a narrative.

Time frame: a period during which something takes palace or is projected to occur.


Motif: a recurring word, phrase, image, object, idea or action in a work of literature.


Juxtaposition: the act or an instance of placing two or more things side by side.

Types Of Fiction
 

Eight Types:

Science:
Realistic:
Mystery 
Animal 
Folktale
Autobiography
Fantasy 
Humorous

Literary Context

Political: It may be the political movements the poet supported which interest the critic, but more commonly the poem is assessed on political lines: how fairly or effectively it promotes political action or attitudes.

Historical: to explain not only their allusions and particular use of words, but the conventions and expectations of the times. The approach may be evaluative or may simply use it as historical data.

Social: environment also known as the milieu, is the environment of people that surrounds something's creation or intended audience. Social context reflects how the people around something use and interpret it. The social context influences how something is viewed.

Religious:is the setting of a spiritual nature which sets the tone or background of a particular scene/ event in a story, novel or novelette

Ethnic: is the ethnicity/ethnic background of the main characters in a story.

Moral: sets the tone of the ethical or philosophical tone of the story.

Intellectual: gives the academic or educational background of the protagonist.

Cultural : is the overriding values and mores of the main characters in the book/story.